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File:RuPaul by David Shankbone cropped.jpg

RuPaul is a famous drag queen and has starred in his own TV series.

Drag queens are performance artists, almost always male, who dress in women's clothing and often act with exaggerated femininity and in feminine gender roles with a primarily entertaining purpose. They often exaggerate make-up such as eyelashes for dramatic, comedic or satirical effect. Drag queens are closely associated with gay men and gay culture, but can be of any sexual orientation or gender identity. They vary widely by class, culture, and dedication, from professionals who star in films to people who try drag very occasionally.

The activity, which is called doing drag, has many motivations, from individual self-expression to mainstream performance. Drag queen activities among stage and street performers may include lip-syncing, live singing, dancing, participating in events such as gay pride parades, drag pageants, or at venues such as cabarets and discotheques.

Terminology, scope and etymology[]

The origin of the term is uncertain;[1] the first recorded use of drag in reference to actors dressed in women's clothing is from 1870.[2] Drag queens are typically gay men, but there are drag queens of all different sexual orientations and genders,[3] including trans women who perform as drag queens[4][5][6] (sometimes termed trans queens),[7] such as Monica Beverly Hillz[4][5] and Agnes Moore, known by her stage name Peppermint,[6] and cisgender women[8] who do, sometimes termed faux queens.[9] Drag queens' counterparts are drag kings, women who dress in exaggeratedly masculine clothing; men who dress like drag kings are sometimes termed faux kings.

Female impersonator[]

File:PantiBliss.jpg

Rory O'Neill as Panti Bliss.

Another term for a drag queen is female impersonator.[10] Although this is still used, it is sometimes regarded as inaccurate, because not all contemporary drag performers are attempting to pass as women. Female impersonation has been and continues to be illegal in some places, which inspired the drag queen José Sarria to hand out labels to his friends reading, "I am a boy", so he could not be accused of female impersonation.[11] American drag queen RuPaul once said, "I do not impersonate females! How many women do you know who wear seven-inch heels, four-foot wigs, and skintight dresses?" He also said, "I don't dress like a woman; I dress like a drag queen!".[12]

Alternative terms[]

File:2004-GayPrideBrazil-1.jpeg

Drag queens walking in a parade in São Paulo, Brazil.

Some drag queens may prefer to be referred to as "she" while in drag and desire to stay completely in character.[13] Other drag performers, like RuPaul, seem to be completely indifferent to which pronoun is used to refer to them. In his words, "You can call me he. You can call me she. You can call me Regis and Kathie Lee; I don't care! Just so long as you call me."[14]

Drag queens are sometimes called transvestites, although that term also has many other connotations than the term drag queen and is not much favored by many drag queens themselves.[15] The term tranny has been adopted by some drag performers, notably RuPaul,[16] and the gay male community[17] in the United States, but it is considered offensive to most transgender and transsexual people.[18]

Many drag performers refer to themselves as drag artists, as opposed to drag queens, as contemporary forms of drag have become nonbinary.[19][20]

Uncommon terms[]

In the drag queen world today, there is an ongoing debate about whether transgender drag queens are actually considered "Drag Queens". This subject is argued because Drag Queens are defined as a man portraying a woman. Since transgender queens are now transitioned into women, many people do not consider them drag queens because they are no longer men dressing as women. Drag Kings are biological females who assume a masculine aesthetic. However this is not always the case, because there are also biokings, bio-queens, and faux queens, which are people who perform their own biological sex through a heightened or exaggerated gender presentation.[21][22][23]

History of drag[]

Europe[]

Pantomime dames[]

In the late 1800s to the mid-1900s, pantomime dames became a popular form of female impersonation in Europe.[24] This was the first era of female impersonation in Europe to use comedy as part of the performance, contrasting with the serious Shakespearean tragedies and Italian operas.[25] The dame became a stock character with a range of attitudes from "charwoman" to "grande dame" that mainly was used for improvisation.[25] The most famous and successful pantomime dame was Dan Leno. After World War I and World War II, the theatre and movie scenes were changing, and the use of pantomime dames declined.[24]

America[]

File:Wench character 3.jpg

Eugene d'Ameli, a white man, dressed in blackface as an African American woman for a minstrel show in the late 19th century

Minstrel shows[]

Development of the drag queen in the United States started with the development of the blackface minstrel show.[26] Originally the performers would only mock African American men, but as time went on they found it amusing to mock African American femininity as well. They performed in comedic skits, dances, and "wench" songs.[27] These minstrel shows and their "wench players" were used by white men to both mock and oppress women and African Americans.[27]

Vaudeville and female impersonators[]

File:Julian Eltinge (the fascinating widow).jpg

Julian Eltinge as a female impersonator in the Fascinating Widow early-1910s

The broad comedic stylings of the minstrel shows helped develop the vaudeville shows of the late 1800s to the early 1900s.[26] With this shift, the "wench players" became "prima donnas", and became more elegant and refined, while still retaining their comedic elements.[27] While the "wenches" were purely American creations, the "prima donnas" were inspired by both America and European cross-dressing shows, like Shakespearean actors and castrati.[27] With the United States shifting demographics, including the shift from farms to cities, Great Migration of African Americans, and an influx of immigrants, vaudeville's broad comedy and music expanded the audience from minstrelsy.[26] With vaudeville becoming more popular, it allowed female impersonators to become popular as well. Many female impersonators started with low comedy in vaudeville and worked their way up to perform as the prima donna.[24] Famous female impersonator Julian Eltinge found success in this and eventually made his way to the broadway stage performing as a woman.[24] At this time being a female impersonator was seen as something for the straight white male, and any deviation was punished.[26] Connection with sex work and homosexuality eventually lead to the decline of vaudeville during the Progressive Era.[26] Both the minstrelsy and vaudeville eras of female impersonation led to an association with music, dance, and comedy that still lasts today.[24]

Night clubs[]

In the early to mid-1900s, female impersonation had become tied to the LGBT communityTemplate:Dubious and thus criminality, so it had to change forms and locations.[26] It moved from being popular mainstream entertainment to something done only at night in disreputable areas, such as San Francisco's Tenderloin.[26] Here female impersonation started to evolve into what we today know as drag and drag queens.[25] Drag queens such as José Sarria[28] and Aleshia Brevard[29] first came to prominence in these clubs.[26] People went to these nightclubs to play with the boundaries of gender and sexuality and it became a place for the LBGT community, especially gay men, to feel accepted. As LGBT culture has slowly become more accepted in American society, drag has also become more, though not totally, acceptable in today's society.[25]

Protests[]

Main article: Cooper Do-nuts Riot

The Cooper Do-nuts Riot was a May 1959 incident in Los Angeles in which drag queens, lesbians, transgender women, and gay men rioted; it was one of the first LGBT uprisings in the United States.[30]

The Compton's Cafeteria riot, which involved drag queens and others, occurred in San Francisco in 1966.[31] It marked the beginning of transgender activism in San Francisco.[31]

On March 17, 1968, in Los Angeles, to protest entrapment and harassment by the LAPD, two drag queens known as "The Princess" and "The Duchess" held a St. Patrick's Day party at Griffith Park, a popular cruising spot and a frequent target of police activity. More than 200 gay men socialized through the day.[32]

Drag queens were also involved in the Stonewall riots, a series of spontaneous, violent demonstrations by members of the LGBT community against a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn, located in the Greenwich Village neighborhood of Manhattan, New York City. The riots are widely considered to be the catalyst for the gay liberation movement and the modern fight for LGBT rights in the United States.[33][34]

During the summer of 1976, a restaurant in Fire Island Pines, New York, denied entry to a visitor in drag named Terry Warren. When Warren's friends in Cherry Grove heard what had happened, they dressed up in drag, and, on July 4, 1976, sailed to the Pines by water taxi. This turned into a yearly event where drag queens go to the Pines, called the Invasion of the Pines.

Story time in libraries[]

In December 2015, Radar Productions and Michelle Tea developed the concept of "Drag Queen Story Hour".[35] Launched at the San Francisco Public Library, Drag Queen Story Hour was adopted by the Brooklyn Public Library in the summer of 2016, and has since traveled to various libraries, museums, bookstores, and recreation centers, and parks across the United States, Canada, and the United Kingdom.[36]

Drag queen names[]

File:Eddie Valdez "José Maria González" Wild Side Story 1977.jpg

Advert for drag queen jobs as spoofed in Wild Side Story.

A drag queen may either pick or be given a drag name by a friend, sometimes called a Template:Anchor"drag mother", the so named thus becoming known as a Template:Anchor"drag daughter".[37] Drag mothers and drag daughters have a mentor-apprentice relationship. Drag 'families' were part of ball culture and drag 'houses' until the 1960s.[38]

Art of drag[]

File:ESC2014 - Austria 16.jpg

Conchita Wurst, the winner of the Eurovision Song Contest 2014.

The process of getting into drag or into character can take hours. A drag queen may aim for a certain style, celebrity impression, or message with their look. Hair, make-up, and costumes are the most important essentials for drag queens.[39] Drag queens tend to go for a more exaggerated look with a lot more makeup than a typical feminine woman would wear.

Some people do drag simply as a means of self-expression,[3][40] but often drag queens (once they have completed a look) will go out to clubs and bars and perform a "drag show."[41] Many drag queens do dress up for money by doing different shows, but there are also drag queens that have full-time jobs but still enjoy dressing up in drag as a hobby.[42]

Many parts of the drag show, and of the drag queens' other intellectual properties, cannot be protected by intellectual property law. To substitute the lack of legal protection, drag queens revert to social norms in order to protect their intellectual property.[43]

In entertainment[]

Template:Multiple issues

Drag shows and venues[]

File:Lorellasukkiarini.jpg

A drag queen preparing stage make-up.

A drag show is an entertainment consisting of a variety of songs, monologues or skits featuring either single performers or groups of performers in drag meant to entertain an audience. They range from amateur performances at small bars to elaborately staged theatrical presentations. Many drag shows feature performers singing or lip-synching to songs while performing a pre-planned pantomime, or dancing. The performers often don elaborate costumes and makeup, and sometimes dress to imitate various famous female singers or personalities. Some events are centered around drag, such as Southern Decadence where the majority of festivities are led by the Grand Marshals, who are traditionally drag queens.[44]

In film[]

  • 1933 – Victor and Victoria, a German film about drag queens working in musical entertainment, starring Renate Müller and Hermann Thimig.
  • 1934 – George and Georgette, the French-language version of Victor and Victoria.
  • 1935 – First a Girl, the English-language version of Victor and Victoria.
  • 1937 – Upstairs (Piętro wyżej), the first Polish drag queen style movie, starring Eugeniusz Bodo.
  • 1953 – Glen or Glenda, one of the most famous cult classics of Ed Wood, starring himself as Glen and Glenda.
  • 1954 – White Christmas, classic of Irving Berlin, with Danny Kaye and Bing Crosby singing in "drag".
  • 1957 – Victor and Victoria, a German remake of the 1933 film.
  • 1959 – Some Like It Hot, starring Marilyn Monroe, Tony Curtis and Jack Lemmon.
  • 1967 – Thoroughly Modern Millie, an American musical starring Julie Andrews, James Fox, Mary Tyler Moore, Carol Channing, John Gavin, and Beatrice Lillie, notable where Fox's character dresses in drag in order to find out what happened to Tyler Moore's character.
  • 1969 – Funeral Parade of Roses starring Peter
  • 1972 – Pink Flamingos starring Divine
  • 1975 – The Rocky Horror Picture Show, with Tim Curry as a cross-dressing bisexual, Susan Sarandon, Barry Bostwick
  • 1977 – Outrageous!, starring Craig Russell as a fictionalized version of himself
  • 1978 – La cage aux folles a 1978 Franco-Italian film adaptation of the play of the same name starring Ugo Tognazzi and Michel Serrault.
  • 1979 – The Rose starring Bette Midler, notable for a scene in which Midler's character Mary Rose Foster performs a duet on stage in a drag club with a drag queen (played by Kenny Sacha) who is impersonating Midler as Foster.
  • 1982 – Tootsie starring Dustin Hoffman, Jessica Lange, and Teri Garr
  • 1982 – Victor/Victoria, an American remake of the 1933 film, starring Julie Andrews
  • 1985 – Lust in the Dust starring Divine
  • 1988 – Hairspray starring Divine (Remade in 2007 starring John Travolta)
  • 1988 – Torch Song Trilogy starring Harvey Fierstein, Anne Bancroft and Matthew Broderick
  • 1990 – Paris Is Burning a documentary film directed by Jennie Livingston. It chronicles the ball culture of New York City and the gay and transgender community involved in it. It centers around African American and Latino drag culture surrounding communities such as Harlem in the 80s.
  • 1991 – Vegas in Space starring Doris Fish, Miss X, Ginger Quest, and introducing 'Tippi'
  • 1993 – Mrs. Doubtfire starring Robin Williams, Sally Field, and Pierce Brosnan.
  • 1994 – The Adventures of Priscilla, Queen of the Desert starring Terence Stamp, Hugo Weaving, and Guy Pearce
  • 1995 – To Wong Foo, Thanks for Everything! Julie Newmar starring Wesley Snipes, Patrick Swayze, and John Leguizamo (cameo by RuPaul)
  • 1995 – Wigstock: The Movie documentary film focusing on the annual drag music festival that had been held in New York City's East Village during the 1980s and 1990s. Includes appearances by Lady Bunny, Crystal Waters, Deee-Lite, Jackie Beat, Debbie Harry, Leigh Bowery, Joey Arias and the Dueling Bankheads. The film also captures a performance by RuPaul at the height of his mainstream fame during the 1990s.[45]
  • 1996 – The Birdcage starring Robin Williams, Nathan Lane, Gene Hackman and Dianne Wiest (a remake of the 1978 film La Cage aux Folles, based on the 1973 play)
  • 1996 – The Nutty Professor starring Eddie Murphy.
  • 1998 – Midnight in the Garden of Good and Evil starring John Cusack, Kevin Spacey and starring as herself Lady Chablis
  • 1999 – Flawless starring Philip Seymour Hoffman and Robert De Niro
  • 2000 – Big Momma's House starring Martin Lawrence
  • 2001 – Hedwig and the Angry Inch starring John Cameron Mitchell
  • 2002 – Sorority Boys
  • 2003 – Girls Will Be Girls directed by Richard Day, starring Miss Coco Peru (Clinton Leupp), Evie Harris (Jack Plotnick), and Varla Jean Merman (Jeffery Roberson).
  • 2003 – Die, Mommie, Die! starring Charles Busch, Jason Priestley, Philip Baker Hall, and Natasha Lyonne
  • 2004 – Connie and Carla starring Nia Vardalos, Toni Collette, and David Duchovny
  • 2004 – White Chicks starring Shawn Wayans and Marlon Wayans
  • 2005 – Kinky Boots starring Joel Edgerton, Chiwetel Ejiofor, Sarah-Jane Potts, and Nick Frost
  • 2005 – Rent
  • 2006 – The Curiosity of Chance starring Tad Hilgenbrink and Brett Chukerman
  • 2007 – St. Trinian's starring Rupert Everett as Camilla Fritton, the headmistress of the school.
  • 2011 – Big Mommas: Like Father Like Son starring Martin Lawrence and Brandon T. Jackson
  • 2012 – Albert Nobbs starring Glenn Close and Janet McTeer
  • 2015 – Dressed as a Girl starring Johnny Woo
  • 2016 – Absolutely Fabulous: The Movie starring Joanna Lumley and Jennifer Saunders, featuring Jodie Harsh and La Voix amongst others
  • 2016 – Iru mugan (Indian Tamil movie) starring Vikram, Nayanthara, Nithya Menen and Nasser in the lead roles.
  • 2016 – Hurricane Bianca starring Bianca Del Rio, Willam Belli, Shangela Laquifa Wadley and appearances by RuPaul, Joslyn Fox and Alyssa Edwards[46]
  • 2018 – Hurricane Bianca 2: From Russia with Hate starring Bianca Del Rio, Rachel Dratch, Katya Zamolodchikova, Shangela Laquifa Wadley and appearances by Wanda Sykes, Mrs. Kasha Davis, Darienne Lake, Alaska Thunderfuck, Lady Bunny, and Alyssa Edwards

In music[]

While some male music celebrities wear exaggerated feminine clothing as part of their show, they are not necessarily drag queens. For example, Boy George wears drag queen style clothes and cosmetics but he once stated he was not a drag queen.[47] However, RuPaul[48] is a professional drag queen performer and singer.

Examples of songs where lyrics refer to drag queens:

  • "Lola" by The Kinks (or possibly a transgender woman)
  • "Dude (Looks Like a Lady)" by Aerosmith
  • "The Lady Is a Vamp" by Spice Girls
  • "Ballad of Cleo and Joe" by Cyndi Lauper
  • "King for a Day" by Green Day
  • "Cherry Lips" by Garbage
  • "Born This Way" by Lady Gaga
  • "Verbatim" by Mother Mother
  • "He's a Woman, She's a Man" by Scorpions
  • "Pretty Lady" by Ke$ha & Detox Icunt
  • "Andrew in Drag" by The Magnetic Fields
  • "Rise Like a Phoenix" by Conchita Wurst (represented Austria at the 2014 Eurovision Song Contest and won)
  • "Divine" by Antony and the Johnsons
  • "The End." in the album The Black Parade by My Chemical Romance
  • "Drag Queen" by The Strokes
  • "LGBT" by cupcaKke
  • "C.L.A.T" by Aja, Peppermint, Sasha Velour and Alexis Michelle

In television[]

What Would You Do?, airing since early 2008, has had episodes featuring drag queens.[49][50]

In mid-2008, RuPaul began producing RuPaul's Drag Race, a reality television game show which began airing in February 2009. The premise of the program has several drag queens compete to be selected by RuPaul and a panel of judges as "America's next drag superstar". It inspired the similar spin-off shows RuPaul's Drag U and RuPaul's Drag Race: All Stars.

In 2018, Celebrity Big Brother featured Queen Shane Jenek (drag name Courtney Act) as one of its contestants, placing first in the season with 49.43% of the public vote.[51]

In 2018, American Idol featured a drag queen, Adam Sanders (drag name Ada Vox) as one of its contestants.[52] He made it to the top ten.[52]

Also in 2018, So You Think You Can Dance featured Jay Jackson (drag name Laganja Estranja) as one of its contestants.[53]

The Netflix Original Series Dancing Queen also released in 2018, which starred Justin Johnson (drag name Alyssa Edwards) and his dance studio, Beyond Belief Dance Company.[54]

In education[]

While drag queens have a prevalent status as entertainers, they play a role in educating people on gender roles and stereotyping. Professor Stephen Schacht of Plattsburgh State University of New York began introducing his and his students experiences of attending a Drag Show to his gender/sexualities class to challenge his students ideas of dichotomy. Over time he began inviting students to attend with him. He gathered from his students that after attending the drag show they had a new appreciation for gender and sexuality and often become very vocal about their new experiences in the classroom.[55]

Societal reception[]

Drag has come to be a celebrated aspect of modern gay life.[56] Many gay bars and clubs around the world hold drag shows as special parties. Several "International Drag Day" holidays have been started over the years to promote the shows. In the U.S. Drag Day is typically celebrated in early March.

A televised drag competition, RuPaul's Drag Race, is the most successful program on the Logo television network. In 2016, the show won a Primetime Emmy Award for Outstanding Host for a Reality or Reality-Competition Program.[57] In 2018, the show became the first show to win a Primetime Emmy Award for Outstanding Reality-Competition Program and a Primetime Emmy Award for Outstanding Host for a Reality or Reality-Competition Program in the same year.[58][59][60] However, its winners and contestants have yet to receive the same level of recognition as mainstream reality show contestants.

RuPaul received a star on the Hollywood Walk of Fame for his contributions to the television industry on March 16, 2018, making him the first drag queen to be given such an award.[61][62]

See also[]

Template:Div col

  • Cover Girl
  • Cross-dressing
  • Drag pageantry
  • Finocchio's Club
  • Imperial Court System
  • Kiki DuRane
  • List of drag queens
  • List of transgender-related topics
  • Pansy Craze
  • Sisters of Perpetual Indulgence
  • The Adventures Of Priscilla: Queen Of The Desert
  • The Pink Mirror, a film on Indian drag queens
  • Vegas in Space
  • Wanda Wisdom
  • Wild Side Story

Template:Div col end

Notes[]

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  10. When Cross Dressing was a crime http://www.advocate.com/arts-entertainment/books/2015/03/12/tbt-when-cross-dressing-was-crime?page=full
  11. Template:Cite web
  12. Dr. Susan Corso (April 15, 2009). Drag Queen Theology. Retrieved: April 1, 2018.
  13. Template:Cite web
  14. Template:Citation
  15. Ford, Zack. "The Quiet Clash Between Transgender Women And Drag Queens." ThinkProgress, 25 June 2014. Web. 9 September 2017.
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  24. 24.0 24.1 24.2 24.3 24.4 Moore, F. Michael. Drag!: Male and Female Impersonators on Stage, Screen, and Television: An Illustrated World History. Jefferson, N.C: McFarland & Company, 1994.
  25. 25.0 25.1 25.2 25.3 Baker, Roger. Drag: A History of Female Impersonation in the Performing Arts. NYU Press, 1994.
  26. 26.0 26.1 26.2 26.3 26.4 26.5 26.6 26.7 [citation needed]
  27. 27.0 27.1 27.2 27.3 [citation needed]
  28. "The Drag Times." Drag, 1980. Archives of Sexuality.
  29. Template:Cite news
  30. Template:Cite news
  31. 31.0 31.1 Boyd, Nan Alamilla (2004). "San Francisco" in the Encyclopedia of Lesbian, Gay, Bisexual and Transgendered History in America, Ed. Marc Stein. Vol. 3. Charles Scribner's Sons. pp. 71–78.
  32. Witt, Lynn, Sherry Thomas and Eric Marcus (eds.) (1995). Out in All Directions: The Almanac of Gay and Lesbian America, pg. 210. New York, Warner Books. Template:ISBN.
  33. Template:Cite web
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  48. Rupaul Biography Drag Queen Diaries
  49. Template:Cite web
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Further reading[]

External links[]

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